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Retrats Sentimentals de Nova York – Joan Caselles

  • From 3th February to 3th March

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“Clay languages” by Gemma Molero

  • From 17th December to 27th January

Ceramics is a positive art, rooted in an ancestral tradition, it transports us to the first skills of humanity, to the need to create a utensil that, in the process of being made, incites an aesthetic intention and shapes a symbol.

Gemma Molero belongs to a generation of very good ceramists from the Camp de Tarragona who were trained in years of prosperity and renewal of Catalan ceramics. From teachers like Ramón Carreté they received the legacy of wisdom and modernity from the great contemporary Catalan, Japanese or Anglo-Saxon creators.

In the work of Gemma Molero we find the technical mastery, the formal austerity of modern ceramics and all the creativity with sculptural values, a ceramic made for the senses and emotion.

In the artAMILL exhibition we see 5 series made in the last 4 years, which address different concepts and themes.

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Who we are

artAMILL is the headquarters for the association that bears Carles Amill’s name.

The space is in Vinyols, a small village in Tarragona’s province where Carles stablished his art studio to the end of his life.

The association is a private, non profit,  stablished a few years back, by a group of friends in his memory.

For Carles, art wasn’t solely a form of expression. He was also involved in the study and history of art, as well as his techniques and procedures.

The association mission…

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About artAmill

An art gallery-workshop located in the very center of Vinyols I els Arcs.

A precious town within Baix Camp, right next to Reus,

and about a hundred kilometers south of Barcelona.

Why here

Vinyols was the spot chosen by Carles Amill in 1999 to set up his art studio.
It’s a quiet village at the skirt of soft hills looking at the Mediterranean sea.

Vinyols is growing as a dorm for the more industrial areas of Reus

and Tarragona but keeps its charm and is very conveniently

located, at 100Km South of Barcelona.

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Elegy for Carles Amill

by Mick Stern, April 2004

He lived in caves in gypsy neighborhoods, cavernous studios without much light except the light from his paintings.

One night in Brooklyn he invited me to remove my shoes and walk shut-eyed across a canvas laid out on the cement floor to feel the voluptuous thickness of pigment through the feet of my soul.

It was after his blue period of potatoes and stone walls, but before the architectural facades and drawings of fire.

He lived his vocation like a medieval monk, didn’t understand the big hurry of modern life.

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